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02.06.12

Chris Thile in London Interview
Kudos to Mandolin Cafe staff writer Dan Beimborn on an excellent, insightful interview with living legend, Chris Thile. Dan had some prime moments to speak
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02.04.12

Digital text format to dominate the future
We've personally found the iPad to be extremely useful for performance and practicing. The iReal b for practicing with jazz "Standards" accompaniments, the unreal Book
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02.02.12

Available: Mann SEM-5 solid body single cutaway
We like to check in on the "In-stock" instruments over at premium electric mandolin builder Jonathon Mann's website. Once in a while a real bargain
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Sage Wisdom

"Good improvisation communicates harmonic progression melodically. Effective melodies manipulate harmonic content through the use of guide tones and preparatory gravity notes, masterfully woven in systematic tension, release, and transparent harmonic definition."



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May 17, 2006 | Quest for Dominants

The number 5 is a magic one in music theory. Chords based on the 5th scale degree, the dominant, pack a powerful pull to the home key. Roll out a Dominant 7th chord, G7 for example, and fight the urge to sing "Happy Birthday" in the key of C.

You can organize all 12 keys chromatically, C, C#, D, Eb, E, etc..., but where it really makes harmonic sense is when you organize them by fifths, C, G, D, A, E, all the way through until you cycle back to the beginning key. This is what's know as the Circle (or Cycle) of Fifths.

There's much more to this concept, and we explore this in our article, Circle of Fifths on the website.

Check out the latest entry: Circle of Fifths.

Posted by Ted at May 17, 2006 11:10 AM


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