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02.08.12

Classifieds catch: 2005 McClanahan Descending Dove
We were in the midst of correspondence with the seller of this Mandolin Cafe Classified in an attempt to help promote the sale (no
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02.06.12

Chris Thile in London Interview
Kudos to Mandolin Cafe staff writer Dan Beimborn on an excellent, insightful interview with living legend, Chris Thile. Dan had some prime moments to speak
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02.04.12

Digital text format to dominate the future
We've personally found the iPad to be extremely useful for performance and practicing. The iReal b for practicing with jazz "Standards" accompaniments, the unreal Book
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Sage Wisdom

"Good improvisation communicates harmonic progression melodically. Effective melodies manipulate harmonic content through the use of guide tones and preparatory gravity notes, masterfully woven in systematic tension, release, and transparent harmonic definition."



« Thinking in motion; chord combinations | Main | Playing with a drummer »

June 19, 2008 | An object in motion...

Did you ever try to move the steering wheel on a parked car? Even when the column is unlocked it's a struggle to turn, and it's a simple matter of physics. When you're cruising on the highway at 60 mph you can turn with your fingertips, because an object in motion is easier to steer than one standing still. You can do this with a bowling ball, lawn mower, or shopping cart; the physics are the same in that with the injection of forward motion, turning is effectively easier.

This principle is also a metaphor for much we tackle in life, including improvising. So many musicians are intimidated by the notion of playing freely in front of others, following the "proper" theoretical rules. This can be a barrier to an incredible aesthetic experience, so we encourage you to put yourself in non-threatening ensemble environments and experiment boldly.

Just blow!

Solo. Of course you can play alone, and this is generally the first setp to exploring improvisation. However, it pales in comparison to the musical commune experience of sharing ideas, the proverbial iron sharpening iron, and it's always better to actually hear the harmonic construction of the music in real time.

Jam Tracks. Technology is great and in the 70's we dug the "Music Minus One" series in school band and the Aebersold LPs. Following the evolution of technology, we played along with background tapes and CDs, and lately the MP3 format has opened a whole new convenient world of accompaniment resources. Even interactive software like Band in a Box or Groveland's Mando ModeExplorer with their additional alternatives in tempos and key changes at the click of a mouse can offer a whole new level of pedagogical experience.

Jam with a Buddy. Learning with someone of your own ability offers you both the benefit of interactivity without the intimidation of a glaring audience. It's something you share and grow together.

Jam with a Mentor. One musician said he has a rule of selecting to only play with musicians better than himself. It might be a tad unrealistic (especially if they are on the same quest--they won't play with you), but take advantage of those rare moments when you can intimately learn from a pro. It's gold.

The point is you can't learn to ride a bike until you get on the bike. Fracks and clams won't hurt you as badly as gravity, so make yourself vulnerable, and put yourself in one of the above situations to maximize your improvisation skill.

Posted by Ted at June 19, 2008 8:36 AM


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